Grammy awards in two of the three most prestigious categories went to beleaguered singer of modest talents Amy Winehouse and proved, once again, the wasteland that is contemporary music. I’ve come to expect that image and mass appeal trump artistry when it comes to music awards, but why all the fuss over her? Am I missing something? What does it all mean? Continue reading →
If you had only ten albums to take with you to a desert island, what would offer you the greatest pleasure for the rest of your days? These would need to be albums that hold up to repeated listens, obviously—something that doesn’t easily bore you. My own choices are listed below in alphabetical order. Each of these albums is musically rich, covering a variety of styles from pop to jazz to neo-soul to rock to alternative. Continue reading →
Some traditionalists have appointed themselves guardians of jazz purity. Like plantation owners fearful of an assault on the virgin chastity of their daughters, they draw a narrow perimeter around the term jazz and lock the door. Few are allowed to pass the threshold. But such an exclusionary attitude is the antithesis of the African heritage out of which jazz was born, a heritage in which music-making was a communal experience, without a great degree of distinction between performer and audience.
So if it’s misguided to restrict what qualifies as jazz to music with a triplet swing rhythm (as some would have it), what, then, is really jazz? Continue reading →
Before recording the Joni Mitchell songs that comprise 10 of the 12 tracks* on “River – The Joni Letters,” Herbie Hancock first gathered his fellow musicians — Wayne Shorter on sax, Dave Holland on bass, Vinnie Colaiuta on drums and Lionel Loueke on guitar — and discussed the meaning of the lyrics, the environment of the lyrics in relation to the music. The music they crafted together is a hauntingly beautiful tribute to Joni’s artistry. Herbie’s harmonic sensibilities are bold and imaginative. Jazz artists have never shied away from dissonance, but the way in which Herbie moves fluidly from moments of lucid tonality to restless, dissonant harmony shows his artistic greatness. Continue reading →